the story of a scarf

I set out to make a scarf. An easy one – big needles, a ball of fancy fluffy yarn and a simple triangular scarf pattern from the web, where you just increase one stitch at the beginning of each row.

As it grew, I realised I hadn’t paid enough attention to the shape – with only a single ball of wool I should have been increasing at a much faster rate to end up with a shallow isosceles triangle that would be wide enough to go round my neck, instead of one like this…

knitted triangle

I looked at the ball band and the yarn was 30% wool – I can felt into this, I thought.

So, I cut it up …

cut up knitting

… chose some fleece …

fleece

… laid it out …

layers

… wetted and soaped and rubbed it for a while. It looked promising …

prefelt

… but what I actually ended up with was a ribbon of prefelt and a bit of felted knitting, loosely attached to each other in about three places. I think I was too lavish with the soap.

With nothing to lose I decided to sling the whole lot in the washing machine. I tied strips of calico round it at intervals to hold the felt and the knitting together, and put it in on a 60 degree quick wash with a pair of jeans.

The result was a nice uneven felted rope, joined firmly to the knitting wherever there was a calico strip. I snipped off the calico, added some wrapping highlights along the length with just a little lovely shiny embroidery thread, and here it is… a scarf, tousled rather than fluffy, and surprisingly warm.

scarf

The calico was quite well entangled and would happily have stayed where it was – another time I’d use a nice space dyed piece instead of white, or maybe sari ribbon or a yarn wrapping, and make it an integral part.

On another note, I’ve just joined an exciting new challenge – Today’s Title Is… – set up by Helen Suzanne of Heb-Art Journal. The challenge is to start from a given title and capture the first image it sparks off in the mind’s eye, in any visual medium. This week’s title is Blue Chair. Do visit to see all the wonderfully varied interpretations and maybe you’ll be tempted to join in too 🙂

blue chair

time to do the ironing

About 20 years ago I bought a big bag of silk cocoon strippings from a lovely fibrecraft shop in a barn in Elterwater in the Lake District, sadly long closed, and for a while played happily with this magical stuff that needs only an iron and water to turn it into a papery textile. I used to add scraps of fabric and paper, silk fibres and sequin waste and embedded lace, bits torn out of magazines and coloured tissue – the sericin left in the cocoon strippings is strong enough to hold all kinds of things, though it works best if they’re light and flat. Mostly I used this for cards and made a couple of wall pieces and then I ran out of steam and other things took over, but the silk stayed in a box on the shelf.

I hadn’t thought about it for ages till Alan reminded me how much I used to enjoy it, so last weekend I got out the ironing board and spent a couple of hours ironing away – I have to admit that creative ironing is almost the only kind I ever do.

I tried incorporating a few different materials and some were more successful than others. These samples include bits of felt, merino fibres, thowsters’ waste, bamboo fibres, sari yarn and a lacy fabric.

silk paper

I like the way the sari yarn bleeds dye into the surface (at the bottom of the biggest piece, and the little piece on the left in the middle). The felt and merino fibres were the only things I tried that didn’t bond so well; at least, they need a high ratio of cocoon strippings to stick to, and you get loose bits and ‘floating’ layers. That could be a feature, but it makes the textile more fragile.

silk paper

In the next sample I carded about equal quantities of silk and merino for a while to mix them. I like this effect.

silk paper

Bamboo fibre and synthetic lace fabric both bond very well.

silk paper

I like the fact that you can do a lot of experiments in a relatively short time, which is good when you’re not feeling very creative, and a little silk goes a long way. There are lots of lovely possibilities.

I unwrapped my rusty calico soon after the new year, not a finished piece of fabric really – I don’t think it stayed wet enough, but a start for some overdyeing, anyway. I like the marks on the left. I’m ordering some silk so I can try pole-wrapping that now I’m here to keep an eye on it.

rusted calico

seaweed bundles

First of all I hope it’s not too late to say Happy New Year, I can’t believe that was a week ago already.

The kinds of seaweed lying around on the beach here at Crossapol when the tides goes out seem to vary from day to day. I’ve been thinking about gathering some for making cold-dyed fabric bundles as shown in India Flint’s book Eco-Colour, but most of it is in large and heavy bunches and would require the kind of forethought that seems to be beyond me at the moment, such as taking a carrier bag along. However, yesterday there were some kinds of thin string-like weed, easy to carry and great, I thought, for wrapping bundles. I collected a small assortment and brought it home.

kinds of seaweed

I laid out most of the branched pieces with bladders on a piece of damp habotai silk …

ready to bundle 

… then rolled it up and wrapped it with the long flat pieces. There were a couple of little bits of the flat stuff left and one that is like string with just the odd bladder along its length – not branched, so I concertina-folded another small piece of silk, laid the flat weed inside the folds and wrapped this with the stringy piece.

seaweed wrappings

I sprayed the bundles with a mister, put them into a glass jar, covered it with a bit of plastic, and have put the jar outside for a while. India says at least a week and a month isn’t too long. I will check them daily in case they start to go mouldy but hope I can resist opening them up for a fortnight or more. My hands were a bit orange after I’d done this but as this is new to me I don’t know if that indicates anything about the final outcome.

ready to cure

Nothing to do with seaweed, but I couldn’t resist sharing these lovely fibres, merino and bamboo, in the colours of the winter machair with some sunset thrown in, which I got in my Christmas stocking, complete with bog myrtle soap bought at the Farmhouse CafĂ© here on Tiree. I’m told it’s good for eczema so I’m hoping it will be kind on the hands if I use it for felting.

fibres and soap