weaving play

I made this little sample quickly yesterday and can’t wait to explore this further. I warped a tiny frame loom with some very rough hemp, and wove it with alternate picks of torn fabric and thick and thin Colinette yarn. Then I threw it in the washing machine with a load of washing.

experiment

When it came out I thought it looked quite interesting, with some parts firmly felted and some holes, especially where the yarn was thin. I hadn’t planned to remove the warp as well but once the idea occurred to me it became an irresistible ‘what if’, so I snipped the knots and pulled out the hemp. I wondered if the wool would hold the weft together and the answer is yes. I like the way it’s solid in places and fragile in others, just like memory. I also like the texture and structure of it, and the way the effect of the warp persists.

I’m going to have a play with handspun and unspun wool, and different kinds of fabric, and different warps, felting by hand, to see what emerges. I imagine a series of pieces, ragged yet strong, To do with prayer and memory and being made new. I am thinking about habits and quotidien rhythms and the structure of praying the hours, and how our outworn clothes embody our history and memory, about what we keep and what we waste, and about connections and inclusion and mixing things up. All sorts of things.

feltmaking days

This week I spent two days with the Tiree branch of the SWRI (Scottish Women’s Rural Institutes), learning. They were learning how to make felt, and I was learning to teach. I enjoyed it, mostly, and I gather they did too. The most difficult bits were the first few moments when all eyes were on me, waiting… and the frustrating limitations of my felting experience when it came to solving some of the challenges they encountered. I hasten to add that I had explained when they asked me to do this that I’m not very many steps ahead of a total beginner on the felting journey myself, and that I hadn’t run a workshop before, so they knew we were all learning together (and I wasn’t charging them for my mistakes!).

fibre

The first day we made flat felt pieces, and felt balls, and the next day they wanted to try 3D felting round a resist – quite a challenge for your second-ever piece of felt, I thought, but they were all up for it, including one brave soul who hadn’t even been there the first day.

My longsuffering husband came along a few times to take photos. (He also heroically cleared our entire laundry backlog while I was out – it’s been excellent drying weather here). In the bustle of clearing up at the end I forgot to take pictures of the 3D pieces, and I also forgot to ask permission to post personal images online, so I will just show you the wonderful variety of felt pieces they made on day one.

felt

We all worked very hard and had a lot of fun. Now we’re planning to have a regular feltmaking get-together on the island, maybe once a month.

Serendipity or something

I always enjoy the way a current preoccupation takes on a life of its own and starts appearing all over the place, a bit like when you learn a new word and then it crops up in everything you read. Was it there all along and you just start noticing because you’re now paying attention? Or maybe it’s a kind of grace that delights in seeking out connections and charging them with significance.

In the last few days I’ve been finding some lovely insights and inspirations around combining strips of cloth with wool, especially from Jill at Centering with Fiber, and this wonderful woven fleece by Elizabeth Armstrong (Studiofelter).

This weekend I made some felt samples for our workshop tomorrow: including a piece to show add-ins of various kinds, some 3D felt using a template resist, and some samples using different types of pre-felts.

felt artwork

And this little bit is just for me, an experiment with torn strips of silk chiffon, caught between thin strips of drafted fibre and felted. Very fiddly!

felt sample

But what if I wove something like this before felting, instead of laying the fibres out? I would need to put a little twist in the drafted wool, to stop it drifting apart; I wonder what difference that would make to how it looks and feels and behaves.

I’ll leave you with some netted inspiration from a walk along the beach,

creels

and some plastic made beautiful by the sea.

plastic

Re-weaving: Sakiori inspirations

I had heard this word, Saki-ori, before, but I never quite took in what it is. The Japanese tradition of creating new cloth from old cloth, weaving with thin strips of worn fabric. Akin to rag rugs, but on a fine scale, soft enough for clothing.

When I made these …

weaving

for these

artwork

… I knew I would come back to this, one day. Find out more. Take it further.

A long time ago, I stitched connections between the fabrics I’ve worn and worn out.

textile

Three weeks ago I met a woman who will never buy any clothes again, ever.

Then, I read the year of enough by Joanna of Things[HandMade].

Yesterday, sorting out supplies for a feltmaking day I’m leading next week, I felt drowned in everything I’ve amassed, such quantities that I hardly know what I have.

There’s so much going on in my head right now I think I may fly apart. But I hope that the quiet discipline of cloth will hold the fragments together.

Sakiori is here, here, here, and here. And here, along with many other wonderful stripes and strips.