colour matching fun

First – for Arlee – the appliqué images from my last post – now clickable – I’ll make sure to do this in future wherever I can.

applique designapplique design with organza

On Sunday I got out the acrylics and gouaches – sets of 6 (lemon, cyan, magenta, yellow, vermilion, and ultramarine, plus I have black and white) and did some colour matching exercises for OCA Textiles 1. This involved mixing colours and documenting the results, matching the colours in fabric using paint, and really looking at the range of colours in an image to try and record them accurately. And the painting in the sketchbook was just to use up the leftover paint!

colour work

When I was cleaning the palette after using the acrylics, of course I had to scrub it, and some of the effects were quite interesting in themselves. This is the last small patch – just a few cm across – I can’t bring myself to scrub it right off yet!

acrylics on the palette

Did anyone see Germaine Greer’s very provocative comments in the Guardian yesterday? I have a lot of thoughts buzzing round in my head after reading this – I need to sort them out from my emotional responses and get them written down. There’s a (slightly dizzying) video on YouTube of work by Edrica Huws, the artist whose exhibition Greer didn’t actually see. What might she have written if she had bothered to go to Anglesey to see the show and look for the answers to her questions?

appliqué in progress

I made good progress today with the appliqué wall hanging which is my first assessment piece for City & Guilds 7822. I got all the shapes laid out ready to shadow quilt. On the left of the pic is the overall design; on the right, how it will change with painted silk organza pieces laid over it. After it’s quilted I’ll be cutting back into it to reveal some of the coloured shapes and the felt batting again. I’m sure I’ll be tweaking the composition but this is about it. I’m going to treat myself to some variegated machine threads at the Festival of Quilts, so I won’t stitch it till after that, but I can get the pieces fused to the felt and think about the quilting for a few days. Now that I see the appliqué pieces on the felt, I’m not sure that I’d go on to add the top layer if it wasn’t for a quilting assessment, but I think if I’m careful with placing the stitching I can cut back effectively to get some interesting contrasts.

appliquedesign.jpg

I tried a technique from Tray Dyeing yesterday – not with Procion MX dyes (as used in the book), because I don’t have everything I need for that yet; but I dyed some strips of silk with Javana silk paints. These bits were torn off the edge of one of them to put in my sketchbook – I sent the piece off to my daughter with some other bits, and forgot to take a photo. I used lemon, magenta, and cyan together – I love the resulting zingy colours. The silk was dry and loosely scrumpled in a small box before squeezing the colours on with a pipette.

javana.jpg

I was reading a very interesting entry a couple of days ago on Karren Brito’s blog Entwinements – What people will do to wear red – about the effects of dyes on the skin – in clothing, not just while you’re using them. Food for thought, especially as I hope some of my dyeing experiments will end up in my wardobe. If you’re interested in dyeing there is some wonderful shibori including wearables on Entwinements.

catching up

Some time seems to have gone by since I last posted. We had a weekend away in Cornwall, and visited the Eden Project for the first time. They currently have a very interesting exhibition of recycled products from all over the world – kNOwtrash. I can’t find it on their web site, but it includes textiles, furniture, accessories and jewellery, and is on till 12 September. I came away with some ideas for my craft session at youth club – braiding with newspaper, jewellery with bottle tops, and flowers from plastic bottles. Many of the items were from groups and collectives overseas, plus some by individual artists including Michelle Brand’s beautiful and eyecatching work using plastic bottles and shop tags. I hope the Eden Project will archive some images from the exhibition on their web site – it was very inspiring.

My daughter Esther is borrowing a few of my samples for an exhibition at her church, so I’ve photographed them before sending them off. These were from a batik workshop with Nell Dale and a feltmaking workshop with Jenny Scott.

batik
batik

felt
felt and washboard

The Glass Queen is a lovely old washboard I found on eBay, she’s perfect for fulling felt.

book cover I had an exciting delivery this week – I’d ordered Tray Dyeing by Leslie Morgan and Claire Benn (Committed to Cloth) from the Embroiderers’ Guild bookshop. Wowowowow!!! It’s only a short book but packs in a huge amount of information and although I’ve done some tray dyeing before I was astonished at the amount of control that can be achieved and can’t wait to try.

I’ve been working really hard this week to try and clear a couple of days to do art as I haven’t been doing much at all with being away and having visitors. I was having fun experimenting with colour mixing on paper, but I’ve lost my impetus and I need to get back to it and back into it.

Only a couple of photos in Cornwall – I’m hoping to get a new small camera soon. This jaunty little seabird by the starry water, at Polkerris, near St Austell, and a random lobsterpot decorating the wall of the inn there.

seabirdlobsterpot