Woolfest 2008

Although I’ve already posted today, I wanted to write about the Woolfest before I go away or the memory will have faded. It’s a wonderful show – a combination of all the elements of fibre arts – from the animals who provide the wool to the rainbows of fleece and yarn on sale, from tools and books and dyes to so much exciting felt, knitting, crochet and weaving that you hardly know where to look next. It’s small enough to wander round twice or three times in a day, discovering new things each time – and big enough to provide a very satisfying variety of experiences. I met up with my Mum and my friend Julie and we had a lovely day.

I’ve just picked out a few things to share that were highlights for me…

Helen Melvin of Fiery Felts had curtained her stand with beautiful lengths of cloth, dyed by mordanting and then rolling up with bits of earth and flowers and leaves. This view is of the back – some of these were nuno-felted on the other side.

cloth by Helen Melvin

The Hebridean sheep (these are from Heathland Hebridean in Kent). I bought some of their lovely dark fleece to try dyeing it for felting.

sheep

These graceful alpacas from WhyNot Alpacas of Sedbergh – I love their just-shorn textures and the range of colours.

alpacas

These amazing clothes, modelled by young women from Estonia, Slovakia and Cumbria, in a youth project called "From Sheep to Dress" – clothes made by hand, from Estonian Native Sheep wool, by girls from Saaremaa Island. There’s a bit about this (and some of the other exhibitions) at knitonthenet, and I found an image gallery on the web as well.

From Sheep to Dress

Finally, the gorgeous display of dyed hemp yarns from the House of Hemp.

dyed hemp yarns

I tried to be restrained but I did add a few lovely things to my stash as well as the Hebridean fleece: some beautiful undyed alpaca rovings in four different shades, a tiny skein of purple hemp yarn, some space-dyed knitting ribbon in rusts and pinks and bronzey greys, Liz Clay’s book on Nuno Felt, and a small felt-rolling mat from Jenny Pepper’s stand.

Provisional dates for next year’s Woolfest are 26th-27th June 2009 – it’s in my diary already 🙂

And now I really must go and think about what to pack!

TIF Challenge June 1

I only started to think about Sharon’s June Take it Further Challenge a few days before the end of June. It’s about stashes, our collections of materials, the stuff of creation, how they comes with their own tales to tell, and how in using them we invest them with meanings old and new –  “stories that are and stories that are possible”.

I’ve always used the word material interchangeably with cloth, but I discovered recently that if you look up material in the O.E.D. cloth isn’t one of the definitions. Actually I read this in a post about material culture – textiles and technology on Alan’s blog, and didn’t believe it till I’d looked it up myself!

Stashes are made of things like cloth and fleece and thread and paper and buttons – and more – I loved reading Monika’s lyrical description, on her blog Red 2 White, of her stash that includes “nettle in the garden, gorse behind it … onion skins, shells from a beach”. 

And at the opposite extreme I’m remembering a phrase that has stayed with me since A level English Lit – “Extreme, material and the work of man” (Thom Gunn, writing about the city).

Stray thoughts… random snippets from my mental stash.

Material matters – I’d like to somehow celebrate the physicality of the stash, the embodiment of the story, the clothing of the idea in messy reality. All those little bits and pieces that make up our lives, collected here and there and spilling out of cupboards and boxes and jars, loved into order and relationship by the work of our hands and our heads and hearts.

And before the end of July, I hope!

stash

 

tiny steps

It’s funny how sometimes you seem to be making giant strides and things are falling into place all around you, and other times every tiny step (or stitch…) seems like a huge effort and then you stop altogether for a while. June has been one of those latter times for me, and this is all I’ve done, creatively speaking, since last time I blogged.

gathering calico

I love these effects (and of course I immediately want to dye them!). But I need to go much further and, for that, time must be set aside and guarded.

Plenty of other things have been happening, with work, family and life in general – good things, but time consuming. However, I was determined when I started the OCA course to not let the stuff that happens get in the way of spending at least 15 minutes on textile work each day, and I haven’t been doing that. I miss a day, then two, then a week…

Well, I wrote this to motivate myself and for a bit of accountability so I’m heading off to my workroom now, but before I go, a shout out to any members of the UK Embroiderers’ Guild who read this. Members have set up a web ring and a Flickr group to share work and celebrate being part of the Guild. Please join in and spread the word in your branch and region :-).

TIF Challenge May 2

Well I didn’t turn into a pumpkin! I got my May TIF Challenge piece done yesterday (just) but too late for taking photos.

I decided to create something that included some of the techniques I love most, and to try to express how I often feel as if I’m exploding in all directions – there’s such an onslaught of possibilities it seems impossible to choose between them.

For the background I used a piece of indigo-dyed shibori I made at a workshop taught by Nell Dale. I applied scrim that I’d dyed and torn, and some little bits and bobs – hand stitching, machine stitching, felt, knitting, dyeing, batik, printing, and layered fabrics. I also love textiles with writing, so I added the phrase that Neki of A Moveable Feast picked out from my thoughts on the challenge question – ‘naming is not defining – it is choosing’.

But choosing means saying no as well as yes. I long to learn to focus enough to practise, in every sense of the word. I enjoy exploring so many things but I also value skill and mastery, and to attain those things one must make choices and leave some roads untravelled. For now, as a student, I’m constantly trying out new paths and revisiting old ones, but I also hope that on the way I’ll discover which directions take me “further up and further in”… that I will learn my name.

appliqué piece

Links to the beautiful and thought-provoking work being done for Sharon’s Take it Further Challenge can be found on her blog In a Minute Ago, the Flickr group, and the Take it Further Challenge blog.

looking and listening

A little bit of weekend inspiration 🙂

This is a quote from the opening page of “The Twelve Dancers” by William Mayne, published by Puffin Books, 1964.

Blue is the colour of the sky. Marlene was in bed still when she thought that. It was the colour of the sky in a chalk drawing or a painted drawing, but it was not the colour of the sky this morning. The sky now was green over the hills, with silver clouds lying tarnished above it. Higher still the sky was bruised with overhanging morning.

[…] The hills were a different green from the sky. Miss Williams, down at the school, would never allow a green sky into a drawing. Marlene thought Miss Williams must be an artist, to see things differently from ordinary people. She could look at the sun, and make people draw it yellow. Marlene had never looked at the sun, except once. It had looked white at the moment, then black for the rest of the day. Nobody else thought the sun was black.

And I just discovered (via BBC News 24) Nick Penny’s Sound Diary 2008 – Nick Penny is a musician who’s been recording snippets of sound daily since the new year and posting them in an audio diary on his web site. Birdsong, creaky gates, wind and waves, bells, machines, even the sound of silence. Very evocative.